DANAS SLUŠAMO JEDNOG OD ZAISTA VELIKIH KOMPOZITORA JUGOSLAVIJE U NEKIM SVOJIM DELIMA IZ DOBA JUGOSLAVIJE I KAD SE DOSTA PRIDAVALO PAŽNJE DOMAĆOJ MUZICI.
Svi koji znaju za JUGOSLAVIJU znaju i za ovog kompozitora. Njegova muzika je na izvestan način ugradjena u temelje naše bivše zajedničke države. Ali više o tome sa WIKIPEDIJE koja se ne diči uvek stopostotnom tačnošću ali je lepa za čitanje i uverljiva.
He was born in Čurug (Bačka). While a pedagogy student in Sombor, Konjović self-taught himself the art of compositure and conducting. He finished his education at the Prague Conservatorium in 1906. In 1907, he traveled to Belgrade, following an invitation from Stevan Mokranjac to teach composition at the Belgrade Music Academy. He was an active adherent of the idea of Yugoslavia. He was manager of numerous cultural institutions: head of the Serbian National Theater in Novi Sad, director of the Zagreb Opera, and head of the Croatian National Theater in Osijek.He was also a Rector of the Music Academy in Belgrade, a Serbian Academy of Sciences and Arts (SANU) member, and a founder of the SANU Musicology Institute. His contemporaries were Petar Krstić, Isidor Bajić, Miloje Milojević, Stevan Hristić, Stanislav Binički, Bozidar Joksimović, Kosta Manojlović, Vladimir Đorđević (brother of folklorist Tihomir Đorđević), and others.
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